November 13th, 2009 by admin
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November 2nd, 2009 by admin
Infestation
I had heard about this movie from friends, but didn’t believe it could be as bad as they said. As usual, I was wrong. It was significantly worse.The plot makes no sense. Nothing is explained from the very beginning. Characters are the expected lot of useless and/or dangerous morons surrounding a couple of heroes/heroines. The events in the entire movie are completely predictable after the first five minutes.The movies didn’t seem to be able to make up its mind whether it wanted to be a horror story, a satire, a comedy, or an action flick. Of course, it is none of them.In many parts it was unclear whether the movie was attempting satire, or was simply suffering from utterly unimaginative writing. What might have been comedy seemed to come at unexpected or inappropriate moments, and may have been the result of poor direction or editing.Overall, this is one of those movies which should never have left the cutting room.
November 2nd, 2009 by admin
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October 12th, 2009 by admin
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September 18th, 2009 by admin
Lisa Rinna Has The Largest Nipples in Hollywood
Here are a couple pics of Lisa Rinna out doing something but who really cares what she is up to when you notice the goodies in the pics. She’s wearing some sort of bag with a strap that displays her fake rack so good. This isn’t the best part though if you take a close look, well not even, just look at her nipples. Those things are the biggest nipples I have ever seen on a celebrity. I wonder what they look like under the shirt, really, they must be all kinds of fun for sure. Download everything and more when it comes to Tinseltown inside of the biggest spot for starlet content, Celeb Taboo.
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September 15th, 2009 by admin
Kinky MILF Shauna Sand Picks Up A Young Gigolo To bang With
Shauna Sand is a celebrities whore out for some young dipstick. We caught this hot mommy and once Playboy Bunny of the month whoring it up on the streets… And with a hot young gigolo no less! With her tasty tits and slutty crankshaft looking mouth, This hot mommy could hook up any horny stud out there. She bares her tasty curves while clad in a pink tight hugging lace dress as she picks up her new bang boy on the streets. Horny MILF Shauna can’t wait to shove this young stud’s rod in her mouth and her twat is probably all moist and quivering with excitement! Oh this cougar babe is one hot celebrity bang package. Just look at that giant cleavage! Its just magnificent! See her whore it up while on the streets at Celeb Heat!
GET MORE stripped CELEBS AT famous HEAT
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August 12th, 2009 by admin
Human Touch
I feel the title ‘Human Touch’ itself is misleading. Upon hearing its title and reading its synopsis, I was misled into thinking that the film would be a simple story about how touch is important in our lives. But how far it is from the truth. If the title was not meant to be intentionally misleading, I thought it would be far more apt to name it ‘The Human Touch’ because it is really more about humanity than anything else. But then again, if director Paul Cox really named it that way, not many people would even bother to see it in the first place. I would, for one, dismiss it as yet another existentialist arty-farty piece of crap that nobody can understand.Human Touch is of course existentialist art-house fare, but it is also something else altogether. Because it doesn’t purport to know anything about the mystery that is ourselves, nor does it have any theory of the reason of our existence. It too, like us, is seeking in understanding further just exactly what makes us tick, and how we can simply be, after we inherited millions of years of culture. And this shared culture, is so vast and inexplicable, that we simply call it ‘humanity’. But what is ‘humanity’? And does anyone even understand any cornerstone of it? In this way, the film’s provocative nature reaches into many beings of humanity. From the arts, history and religion, to our bodies, morals and emotions like affection and lust, it never ceases to probe and question just what drives us to do things a certain way that other creatures would not do. And how our surroundings and our history binds us together and affect us collectively and yet, splintering us in many different directions and personalities.But the film never engages into verbose intellectualizing a la many French New Wave directors who just get lost in a world of their own by talking and talking about theories and never managing to shut up. This film has a heavy anchor by the very real people in the film and their relationships, such that every decision they make and every emotion they feel, doesn’t help us any better in understanding their, say, ‘character design’, but only manages to open up more vistas of the mystery that is us.This is wholly because the film doesn’t seem to be theoretical. In fact, it is far from theoretical, its people often seemingly idiosyncratic and unfathomable but always very plausible. It explores all these questions not by theorizing like most art house directors do, but rather by allowing us to experience. Not unlike Tarkovsky, whose great work similarly explores humanity by framing mankind’s actions against our surroundings and nature, the scenes in this mpeg are not linked by logical linearity or emotion, but rather through ambient noise. From the granny stalactite caves that echo with baby cries and church bells to the great emotions within people ringing with rapturous choral voices, this film puts us through experiences that connects us–rather than alienate us–and makes us part of a far greater whole - mankind.For what my young eyes and ears can see and hear is little, and bound by my limited sensory capabilities; what sadness or happiness I feel is bound by my shallow experiences in life; what ideas and concrete thoughts I can construe is bound by my fundamental education and understanding of the world. But what connects us all, and can only be reached through intuition, is the spark that the creator puts in all of us, that separates us from the other creatures and the inanimate - the human soul. And this video touches so unflinchingly on this shared human nerve, that all that I am made of is not as important as what I am part of. Where I share the same blood as generations of creatures who have come into consciousness of themselves and the womb surrounding them.It is what I enjoy finding in cinema, that if any one moment can touch on this what I perceive as the human soul, then that is worth sitting through piles of crap for. For the human soul–the truth, as what more philosophical people would call it–is worth every inch of living for. And this mpeg uncannily hones in to this same nerve that we all share and quiver for, and holds on to it unflinchingly. True, it may not have been genuinely successful in every inch of its celluloid film. And I would be hard-pressed to say it is good for its individual technical parts. But what little the film understands about its subject matter, it knows this: that most reasoning and emotion cannot bring anyone as close to the human soul as raw intuition. And the intuitive power it brings to screen by merely seeking the human soul, and by large, finding it, is all that matters and all that makes it a truly truly great film.
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August 10th, 2009 by admin
Jessica Alba Always Looks So Damn Good
Here’s some recent photos snapped of Jessica Alba as she is heading off to a playdate with her kid. She’s wearing some regular clothes that make her come off as your every day hot mom. I like her tight little black jeans and the cute shoes she has on, it makes her look more like an everyday chick than a super celeb that happens to be on of the best looking milfs in the universe. You can see more photos of Jessica Alba and many other celebrities inside of Celeb Heat and enjoy their hours of nasty sex tapes.
SEE MORE SCANDALOUS celeb HERE
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July 1st, 2009 by admin
Human Touch
I feel the title ‘Human Touch’ itself is misleading. Upon hearing its title and reading its synopsis, I was misled into thinking that the film would be a simple story about how touch is important in our lives. But how far it is from the truth. If the title was not meant to be intentionally misleading, I thought it would be far more apt to name it ‘The Human Touch’ because it is really more about humanity than anything else. But then again, if director Paul Cox really named it that way, not many people would even bother to see it in the first place. I would, for one, dismiss it as yet another existentialist arty-farty piece of crap that nobody can understand.Human Touch is of course existentialist art-house fare, but it is also something else altogether. Because it doesn’t purport to know anything about the mystery that is ourselves, nor does it have any theory of the reason of our existence. It too, like us, is seeking in understanding further just exactly what makes us tick, and how we can simply be, after we inherited millions of years of culture. And this shared culture, is so vast and inexplicable, that we simply call it ‘humanity’. But what is ‘humanity’? And does anyone even understand any cornerstone of it? In this way, the film’s provocative nature reaches into many beings of humanity. From the arts, history and religion, to our bodies, morals and emotions like affection and lust, it never ceases to probe and question just what drives us to do things a certain way that other creatures would not do. And how our surroundings and our history binds us together and affect us collectively and yet, splintering us in many different directions and personalities.But the film never engages into verbose intellectualizing a la many French New Wave directors who just get lost in a world of their own by talking and talking about theories and never managing to shut up. This film has a heavy anchor by the very real people in the film and their relationships, such that every decision they make and every emotion they feel, doesn’t help us any better in understanding their, say, ‘character design’, but only manages to open up more vistas of the mystery that is us.This is wholly because the film doesn’t seem to be theoretical. In fact, it is far from theoretical, its people often seemingly idiosyncratic and unfathomable but always very plausible. It explores all these questions not by theorizing like most art house directors do, but rather by allowing us to experience. Not unlike Tarkovsky, whose great work similarly explores humanity by framing mankind’s actions against our surroundings and nature, the scenes in this movie are not linked by logical linearity or emotion, but rather through ambient noise. From the ancient stalactite caves that echo with baby cries and church bells to the great emotions within people ringing with rapturous choral voices, this film puts us through experiences that connects us–rather than alienate us–and makes us part of a far greater whole - mankind.For what my young eyes and ears can see and hear is little, and bound by my limited sensory capabilities; what sadness or happiness I feel is bound by my shallow experiences in life; what ideas and concrete thoughts I can construe is bound by my fundamental education and understanding of the world. But what connects us all, and can only be reached through intuition, is the spark that the creator puts in all of us, that separates us from the other creatures and the inanimate - the human soul. And this movie touches so unflinchingly on this shared human nerve, that all that I am made of is not as important as what I am part of. Where I share the same blood as generations of creatures who have come into consciousness of themselves and the womb surrounding them.It is what I enjoy finding in cinema, that if any one moment can touch on this what I perceive as the human soul, then that is worth sitting through piles of crap for. For the human soul–the truth, as what more philosophical people would call it–is worth every inch of living for. And this movie uncannily hones in to this same nerve that we all share and quiver for, and holds on to it unflinchingly. True, it may not have been genuinely successful in every inch of its celluloid film. And I would be hard-pressed to say it is good for its individual technical parts. But what little the film understands about its subject matter, it knows this: that most reasoning and emotion cannot bring anyone as close to the human soul as raw intuition. And the intuitive power it brings to screen by merely seeking the human soul, and by large, finding it, is all that matters and all that makes it a truly truly great film.
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