» 2009 » July | Sexy Celebrities Movies

Audrina Patridge Bikini pics

So it looks like Audrina Patridge took my advice about spending all your time in a bikini when you have fake tits, because here she is in one at the DKNY Jeans Beach House. And all I have to say is WOW! She’s got one sweet booty tight body! Enjoy.See more photos of Audrina Patridge in a bikini her

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Human Touch

I feel the title ‘Human Touch’ itself is misleading. Upon hearing its title and reading its synopsis, I was misled into thinking that the film would be a simple story about how touch is important in our lives. But how far it is from the truth. If the title was not meant to be intentionally misleading, I thought it would be far more apt to name it ‘The Human Touch’ because it is really more about humanity than anything else. But then again, if director Paul Cox really named it that way, not many people would even bother to see it in the first place. I would, for one, dismiss it as yet another existentialist arty-farty piece of crap that nobody can understand.Human Touch is of course existentialist art-house fare, but it is also something else altogether. Because it doesn’t purport to know anything about the mystery that is ourselves, nor does it have any theory of the reason of our existence. It too, like us, is seeking in understanding further just exactly what makes us tick, and how we can simply be, after we inherited millions of years of culture. And this shared culture, is so vast and inexplicable, that we simply call it ‘humanity’. But what is ‘humanity’? And does anyone even understand any cornerstone of it? In this way, the film’s provocative nature reaches into many beings of humanity. From the arts, history and religion, to our bodies, morals and emotions like affection and lust, it never ceases to probe and question just what drives us to do things a certain way that other creatures would not do. And how our surroundings and our history binds us together and affect us collectively and yet, splintering us in many different directions and personalities.But the film never engages into verbose intellectualizing a la many French New Wave directors who just get lost in a world of their own by talking and talking about theories and never managing to shut up. This film has a heavy anchor by the very real people in the film and their relationships, such that every decision they make and every emotion they feel, doesn’t help us any better in understanding their, say, ‘character design’, but only manages to open up more vistas of the mystery that is us.This is wholly because the film doesn’t seem to be theoretical. In fact, it is far from theoretical, its people often seemingly idiosyncratic and unfathomable but always very plausible. It explores all these questions not by theorizing like most art house directors do, but rather by allowing us to experience. Not unlike Tarkovsky, whose great work similarly explores humanity by framing mankind’s actions against our surroundings and nature, the scenes in this movie are not linked by logical linearity or emotion, but rather through ambient noise. From the ancient stalactite caves that echo with baby cries and church bells to the great emotions within people ringing with rapturous choral voices, this film puts us through experiences that connects us–rather than alienate us–and makes us part of a far greater whole - mankind.For what my young eyes and ears can see and hear is little, and bound by my limited sensory capabilities; what sadness or happiness I feel is bound by my shallow experiences in life; what ideas and concrete thoughts I can construe is bound by my fundamental education and understanding of the world. But what connects us all, and can only be reached through intuition, is the spark that the creator puts in all of us, that separates us from the other creatures and the inanimate - the human soul. And this movie touches so unflinchingly on this shared human nerve, that all that I am made of is not as important as what I am part of. Where I share the same blood as generations of creatures who have come into consciousness of themselves and the womb surrounding them.It is what I enjoy finding in cinema, that if any one moment can touch on this what I perceive as the human soul, then that is worth sitting through piles of crap for. For the human soul–the truth, as what more philosophical people would call it–is worth every inch of living for. And this movie uncannily hones in to this same nerve that we all share and quiver for, and holds on to it unflinchingly. True, it may not have been genuinely successful in every inch of its celluloid film. And I would be hard-pressed to say it is good for its individual technical parts. But what little the film understands about its subject matter, it knows this: that most reasoning and emotion cannot bring anyone as close to the human soul as raw intuition. And the intuitive power it brings to screen by merely seeking the human soul, and by large, finding it, is all that matters and all that makes it a truly truly great film.

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The Wrestler

Enough has been written already about Mickey Rourke’s real-life parallels with his fictional character in The Wrestler. Yes, it makes the story seem even realer, and is perhaps what attracted Rourke to the project. (Or perhaps not perhaps, instead, it is what attracted Darren Aronofsky to the actor.) But to focus on such surface similarities seems like an undermining of his work here. Rourke may not be as out-of-his-comfort-zone as Sean Penn in Milk, the only other Oscar-worthy lead performance this year, but that is merely a testament to his fundamental understanding of his character: Randy is an understated guy with massive scars, both literally and figuratively. He’s been wrestling for years now reduced to borderline tribute shows in front of dwindling crowds, scrounging up barely enough cash to buy the variety of drugs and steroids he needs to maintain his weight. He lives in a trailer park and gets locked out for not being able to keep up rent. He works part-time at a grocery store and visits strip clubs regularly, because it’s the only place where he seemingly has any meaningful connections with another human being namely the dancer Cassidy (played by Marisa Tomei), who is similarly a bit older than most peers in her “profession,” yet doesn’t really know any other way to live.The Wrestler draws immediate comparison to the classics of working class cinema, including Rocky and On the Waterfront. Sylvester Stallone returned to his iconic character two years to bring resolution to the life of Rocky Balboa, the Philly boxer who got back in the ring for one final match . It was a good mpeg and touched on similar themes a nice guy stuck in a mean world, an estranged child and ultimately both films present us with the dilemma these men find themselves in: too old to continue doing what they know best, and too old to learn how to do anything else.Whereas Rocky Balboa was a trip down memory lane, it was hardly as bleak or frank as The Wrestler, which is a vastly superior clip. Darren Aronofsky has established himself with this picture as one of the most important of modern American filmmakers; to acknowledge that this work is from the same man who directed The Fountain is astonishing, because they couldn’t be farther apart on a sylistic level. The Wrestler is grainy, low-key and rough. It isn’t polished, fantastical or elaborate. And that suits the material perfectly. The fact that Aronofsky was willing to almost entirely reinvent his approach for the benefit of the story is more than admirable. He deserves a nomination.Tomei is wonderful in her supporting role, fleshing out her character (again, both literally and figuratively) with greater competence than most actresses would probably be able to manage, because it’s a fairly obvious role the “stripper with a heart of gold” who is the object of desire for the gruff guy with a tortured soul. Yet she manages to strike a balance in the clip as one of two female roles, the other belonging to Evan Rachel Wood as Randy’s emotionally severed daughter.The Wrestler is impressive for all its smaller parts as well as the larger ones. When Randy goes to visit his daughter, the reaction is fleeting; it’s not overly dramatic and revelatory, like most films of this nature often create such scenes to be. We can tell by her reaction that it’s not the first time Randy has attempted to reconcile with her, as she seems unfazed by his appearance on her doorstep. It is in this fashion that the mpeg jumps through all the mandatory hoops of its genre (think, of all things, The Royal Tenenbaums), yet still manages to seem fresh and realistic.And then there’s Rourke. As aforementioned, he deserves the Oscar nom he’s likely to receive. And he should probably win. This is one of the best performances of the decade, perhaps even of all time, if we really want to get down to it. It’s the best work of his career, at once the most fully developed of his characters and the most imperfect. Randy isn’t airbrushed to make him seem more appealing to the audience; Aronofsky and Rourke exploit his faults and present him as a normal man, tempted by vices and haunted by his past. Yet we recognize that the drugs, the empty sex and the generally self-destructive behavior Randy partakes in is rooted in the same emotional enguish that the actor himself seems to carry with him; Aronofsky spotted this quality in Rourke, and he fought the producers for Rourke over their first choice (Nicolas Cage), and his dedication paid off you’ll be hard-pressed to find a more convincing, moving or memorable lead performance this year.Ultimately, The Wrestler is one of the year’s very best films a character study that is at once timeless and powerful. And it’s helmed by a director who has managed to bounce back from an aesthetically pleasing but shallow art-house video to produce one of the great works of American cinema in the 21st century.

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Description of this busty nude babes gallery: Attractive fashion model Diane Kruger having fun Click here for the busty nude babes gallery

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Casino Royale Hardcore Version

I was just watching Casino Royale on television the other weekend and I noticed that the movie was missing one thing - the hardcore fucking. We know that James Bond gets lots of top shelf pussy, but we never really get to see it. Well, now we do. Check out this x-rated Casino Royale gallery that I found. We finally get to see Bond fucking Vesper Lynd and he’s doing it right on the card table in the middle of the casino. I have a feeling that might blow his cover, but who cares because it makes for some really hot action!

Want to see more? Click here to visit GoGoCeleb. There you can see x-rated toon celebrities scenes. Now we finally get to enjoy hours and hours of x-rated action featuring the hottest pop stars in the hottest videos. There’s no other place that you can see these actresses, singers and celebrities getting drilled and acting like total nymphos. This is way better than any leaked bang tape or boring fuck scenes in the films.

See you at GoGoCeleb.

Salma Hayek Proves Even Starlets Can be Money Hungry

Last weekend Salma Hayek got married to French billionaire Francois-Henri Pinault in Italy. Sure Salma is wealthy from acting, but this just goes to know even rich broads are still leeches. The two were wed at Teatro La Fenice, an opera house in Venice, and there were many celeb guests, including one of Hayek’s ex’s. That’s not why we are here so, just check out these images of the happy couple leaving the ceremony together and getting on a boat. Salma has best breasts on a woman in Tinseltown. All I can think about is that breast feeding video I saw on youtube recently. Celeb Heat is always serving up the best celeb pics, drama and more so check back soon to see which actress is next.

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This Week’s Hunks of True Blood

Kind of a “Meh” episode yesterday… and no male nudity to liven things up either. Although hopefully with Ryan Kwanten’s character messing around with the preacher’s wife, we’ll start seeing Jason go back to his more randy ways!

What We Do is Secret

This coulda been good but it was pretty awful. Bad acting by most of the cast, poor direction and the sound was crappy (although the crowd noises during the concert scenes sounded real). I am not a fan of the Germs and although I do respect what they tried to do but this seemed like a whole lot of nothing. If this was an accurate portrayal of Darby Crash I do not think he is deserving of a biopic that makes him out to be an original innovator. He was a Iggy Pop wannabe and then an Adam Ant poser. It was embarrassing; I could not wait for him to OD so the film would be over. The majority of the songs performed in concert were awful.Hope one day someone does a good film about the West Coast Punk scene. Maybe a film about SST records and the bands who recorded for them would be good.

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Cameron Diaz Still is One Amazing Foxy Celebrity

Here’s Cameron Diaz spotted at the premiere of her new movie and she’s looking so delicious in her long white dress. You’re always gunna get hard when you see this babe, I believe it is a rule of life for us celeb loving pervs. She still looks so horny with her juicy tight body, I really just can’t keep it together when I am around this chick. Just check out how she works it for that camera, it’s so simple but that might be what makes it so beautiful. Celeb Heat has the best collection of celebs and their drama than anywhere else on the internet.

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